Thursday, February 26, 2015

I Can’t Drive 55, But I’d Settle for a 69


As a driver for an international shipping company, I should have known better. I wish I could say I got caught up listening to the Sammy Hagar song, “I Can’t Drive 55.” Unfortunately, I didn’t have that excuse and got busted doing 76 in a 55mph zone by a Minnesota State Trooper. To make matters worse I was in a company van.
 
        In accordance with company policy, I reported the infraction to my supervisor. I had the added fear that I hadn’t yet passed my three month probation period. When I told my boss he was sympathetic, but also informed me that fifteen miles an hour or more over the limit was considered a serious safety violation. One more mishap and I was out of a job. So I was on strike three before I even got off the blocks.

When I told my work colleagues, I dressed it up a little.

“The cop asked me where I was going in such a hurry,” I said. “I told him I was on the way to the hospital. I worked there as a rectum stretcher.”

“A rectum stretcher?” He squawked. “What the hell’s that?”

“Well, sir,” I explained. “I get ahold of the rectum with two fingers, loosen it, work it, and stretch it. Then I hook it up to a machine and stretch it until I get it to about six feet.”

“Oh, yeah, right. And what do you do with a six foot asshole?”

“Give him a radar gun.”

Once they stopped laughing, one of them suggested I go to court.

“Why?” I asked. “He had me dead to rights.”

“Ask for leniency. What you got to lose? They can’t jack it up to eighty, but if you can get it under fifteen miles per hour over the limit it’s not considered serious and you got another screw up in the bag without getting fired.”

He was right. I didn’t have anything to lose.

Rather than just pay the $225 fine and put an end to it, I went to court instead. After the judge arraigned the deadbeats and junkies locked up from the weekend, it was my turn to plead my case.

Once in the dock I explained to the judge that I had no excuse, but asked for leniency as it had serious implications on my job and asked if he would consider reducing the violation to reflect less than fifteen miles an hour over the limit. In effect, I was asking the judge for a 69.

The judge asked the prosecutor if she would be willing to give me a 69, but she went five better. She said that based on my clean driving record, she would be willing to offer me a 64, but stipulated that she still wanted the fine of $225 to stand.

I happily accepted the terms.

I didn’t know this at the time, but in the state of Minnesota a speeding violation of nine miles an hour or less doesn’t show up on your driving record so I have managed to keep a clean driving record. It’s not very often that I’m still pleased after receiving a $225 fine, but in this instance, I consider this a happy ending.

Wednesday, February 25, 2015

Top Ten Tips for Guys Writing Romance

I was asked to write an article for Female First magazine in the UK about top tips for males writing romance. Yes, men are judged by different standards than our female counterparts when it comes love and how it is conveyed.

Here are my Tops Ten Tips for Guys Writing Romance
 
The writing world is still a sexist industry. That's not anyone's fault, it's just not possible to change people's personal preferences and tastes. Some women have told me they would never read a romance written by a man. And I would be unlikely to read a book regarding submarine warfare written by Betty Juggs. That's not being sexist, just a preference. However, it can be refreshing to get a different perspective in a classic genre. I do my best to tailor my writing for a female audience and have gone through a huge learning curve. Here are ten things I've learned or adapted as a guy writing romance.

I have worked with women writers in various critiquing groups and there are different standards for male and female romance writers. For that very reason, my number one tip for a guy writing romance is to get female feedback prior to publication. I have innocently used terms and phrases that sound natural to me, yet discovered many women hate certain terms and words. I do my best to avoid such wordage, but still have an obligation to my character to speak naturally.

Men are visually driven creatures. So when I write a bedroom scene, my character wants to focus on the beauty of her nakedness in exacting detail. However, the female character and the reader wants to know if he'll still respect her in the morning. Having female critiquing partners helps me find the right balance.

When a woman writes a sex scene, it's hot. When a guy writes a sex scene, he's a perv. For a guy, sex tends to be a physical act. For a woman it's an emotional one. Writing from a male point of view (POV) it's impossible to remove the physical side of it otherwise it sounds like a woman trying to write like a guy – or the guy sounds totally gay and has no place in the sex scene anyway. I have trained myself to incorporate more emotions from the fella and get him to acknowledge his feelings in front of the reader.

The difference between erotica and porn: If you take the sex out of erotica, there is still a story to be had. If there is no story without the sex, it's porn.

In a conventional romance the hero is only seen (shown) to have sex with one person, the heroine. Other relationships or liaisons may be eluded to, but must be kept somewhat vague and non-graphic in nature.

A romance is two people falling in love. The circumstances may be complicated, but the basic premise is simple.

Be original. There are far too many writers jumping on popular bandwagons trying for copycat fame. Fifty Shades broke new boundaries, but instead of following the trend already set, try to set the next trend.

Writing romantic comedies takes a lot of pressure off. Using humour builds in a certain amount of forgiveness and saves the temptation of competing with the Jackie Collins' or Jane Austens of the writing world.

Character flaws, physical as well as emotional, adds realism. It doesn't need to be big – a small scar, a nervous habit (hair twirling), or something that shows them slightly less than perfect makes them more relatable.

One has to get over the Mommy and Wifey factor. Writing stirs a creative vein and often things flow from where we do not know. You have to go with it unsuppressed. It can be difficult when the wife presses you, "Where did you get that idea from?" It honestly does often come from the subconscious. Don't fight it. Write whatever comes to mind. That's what first drafts are for. Edits will cut the things that you really don't want to have to explain.

My favorite question I was asked during an interview was:

What is the best thing about being a romance writer?

I can control what a woman thinks, says, and does.

Not many guys can say that.

Forbidden Trouble by Travis Casey (published by CreateSpace RRP £10.99 paperback, RRP £1.99 ebook) and is available to purchase from online retailers and to order from all good bookstores. For more information please visit, traviscasey.com